
Success and Competition Go Hand In Hand
By 1949, Moviola had become a household word. Iwan, who had retired and was suffering from diabetes, was delighted when Webster's called to request the correct definition of Moviola for its dictionary. Moviola also played a key role in the murder mystery film Turmoil starring Hugo Haas, and was mentioned regularly in comic strips from coast to coast. Despite a burgeoning business, Mark maintained a hands-on, personalized approach. He devoted as much time and energy to Moviola Co. as had his father. "He and my grandfather really enjoyed the business," observes Steve. "They stayed in it for years. Most people start a company, pump it up to its maximum and sell it--not them." A two-year back order not withstanding, Mark and his crew of 75 continued to build the machines by hand--one a day, 30 a month. After several years, he learned to increase his output to 50 a month, but that was the most he could produce without sacrificing quality. "If someone wanted a moviola, he'd say, 'Sign here. It will be delivered in the year 1950' or whenever. Sales were $2 million a year, but he had $4 million in orders on the books." Moviolas were in short supply, but Mark went out of his way to make them available. He never refused a customer for lack of money. He told young editors who were ambitious but poor, "Pay me when you can." If a machine was on back order--as it inevitably was--he would rent one to a customers at a favorable price until theirs was ready. "My father knew he was the only game in town," recalls Steve, "but he never took advantage or used it over people." All the while, Mark continued to work on new developments. He designed a preview machine for Walt Disney that was specifically suited for the unique demands of animation. He developed a three-headed machine for Desi Arnaz that sped up the editing process on television shows like I Love Lucy and Our Miss Brooks.
